Executive Suite
Executive Suite | |
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Directed by | Robert Wise |
Written by | Ernest Lehman |
Based on | Executive Suite 1952 novel by Cameron Hawley |
Produced by | John Houseman |
Starring | William Holden June Allyson Barbara Stanwyck Fredric March Walter Pidgeon Shelley Winters Paul Douglas Louis Calhern Dean Jagger Nina Foch |
Narrated by | Chet Huntley |
Cinematography | George J. Folsey |
Edited by | Ralph E. Winters |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 103 minutes[1] |
Country | United States |
Language | English |
Budget | $1,383,000[2] |
Box office | $3,585,000[2] |
Executive Suite is a 1954 American Metro-Goldwyn-Mayer drama film directed by Robert Wise and written by Ernest Lehman, based on the 1952 novel of the same name by Cameron Hawley. The film stars William Holden, June Allyson, Barbara Stanwyck, Fredric March, Walter Pidgeon, Shelley Winters, Paul Douglas, Louis Calhern, Dean Jagger, and Nina Foch.[3][4] The plot depicts the internal struggle for control of a furniture manufacturing company after the unexpected death of the company's president. Executive Suite was nominated for multiple Academy Awards, including for Nina Foch's performance, which earned a Best Supporting Actress nomination.
This was Lehman's first produced screenplay, and its plot deviates substantially from the novel. He went on to write Sabrina, North by Northwest, West Side Story, and other films. The film is one of few in Hollywood history without a musical score.
Plot
[edit]In New York City to meet with investment bankers on a new bond issue, corporate bigwig Avery Bullard wires his secretary to call an executive board meeting for 6 o’clock. He’s president and driving force of the Tredway Corporation, a major U.S. furniture manufacturer in the bustling eastern Pennsylvania industrial hub of Millburgh. A short commuter flight will get him there just in time. Hailing a taxi, he drops dead in the street. As he collapses, his wallet flies. Filched by a bystander, it ends up empty, stuffed deep in a nearby wastebin. The body is admitted to the morgue as a John Doe.
George Caswell, a member of the Tredway board of directors and one of the financiers Bullard has just left, sees Bullard’s body in the street below. Sensing the opportunity for some easy money through a quick insider trade, he tells his broker to short sell as much Tredway stock as he can before the market closes that afternoon for the weekend, which he’ll buy back for 10 points less on Monday after news of Bullard's death has chopped its price.
The self-driven 56-year-old Bullard had never named a second in command after the previous executive vice-president had died. He’d just scratched the only outside board director off his short successor list, and appeared ready to see his choice for both in one rubber stamped that very evening.
When Bullard fails to arrive at company headquarters, the meeting is canceled. The public announcement of his death later that evening sets off a scramble among various Tredway executives for the top job.
Company comptroller Loren Shaw immediately seizes the power vacuum, making unilateral business decisions and coordinating Tredway’s public reaction. In so doing, he undercuts appalled longtime treasurer Frederick Alderson, a loyal Bullard wingman and putative heir. Diminished even in his own eyes, Alderson abandons his dream and embraces the role of kingmaker.
Among Shaw’s moves had been prematurely releasing a strongly profitable upcoming quarterly report to shore up stock prices in the wake of the Bullard shock. Ambitious, the single-focused, self-made bean-counter is fixated with generating short-term accounting gains and using them to reward stockholders at the expense of the quality of the company's products and long-term viability.
Shaw buys Caswell's vote for a promise to sell him unissued company stock to cover the short sell of securities he never owned, staving off both financial ruin and a career-ending scandal.
Cornering another vote, Shaw blackmails sales VP Walter Dudley after stalking him to a tryst with his secretary that very evening.

Alderson seeks out board member Jesse Grimm to stump him for the presidency, believing he’ll have enough votes in his pocket to deliver the top job. The venerable vice president of manufacturing, Grimm had already decided to retire, and rebuffs the prize. While no fan of Shaw, he is envious and resentful of “boy wonder“ research head VP Dan Walling and refuses to support his potential candidacy.
Convincing Alderson he’s not too green, Walling still throws his hat in the ring. A clueless Alderson rushes to the airport believing he can secure him Dudley‘s cinching vote.
Shaw gains the proxy of board member Julia Tredway, daughter of the company founder, major shareholder, and jilted longtime Bullard lover. Both grief-stricken and heartbroken, she wants the company out of her life after another traumatic abandonment by its leader: first by her father’s suicide, now by Bullard’s rejection and death.
At an emergency board meeting on Saturday evening, Shaw falls one vote short of a coup (Caswell having secretly held out to flex his leverage). Walling counters with a stirring vision for a revitalized company driven by new construction methods and a return to products everyone can be proud of. It sways Grimm, Dudley, and Julia over, and Walling is elected unanimously when Shaw concedes. He immediately orders a board meeting for Monday morning to name a new executive vice-president - Fred Alderson).
Cast
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- Source:,[1] except where noted
Production
[edit]MGM production head Dore Schary originally intended to produce the film himself, but turned it over to John Houseman because he was too busy. Schary intended for the film to have no musical score, using only diegetic sounds such as bells, sirens, and the roar of traffic.[1]
Executive Suite was the first film written by journalist Ernest Lehman, and made for MGM by director Robert Wise.[1]
The all-star cast created problems in scheduling, since only a handful of the lead actors had any commitment to MGM. The logistics of scheduling were so complex that the studio had to set an "inflexible" starting date two months in advance of shooting, the first time that MGM had ever done so.[1]
The film was planned to have 145 speaking parts, a record for MGM,[6] but ended with just 66 actors listed in the credits, far fewer having speaking roles.[1]
Locations
[edit]- Pennsylvania Power and Light Building, Allentown (Treadway Tower in the fictional Millburgh, Pennsylvania)
- Continental Bank Building (Steigel office, New York)
- Pacific Mutual Building, Los Angeles (Steigel building interiors)
- Long Beach Airport (Millburgh Airport)
Reception
[edit]Box office
[edit]The film was number one at the U.S. box office for four consecutive weeks during May 1954, grossing $1,845,000.[7][8] According to MGM records, the film eventually earned theatrical rentals of $2,682,000 in the U.S. and Canada, and $903,000 in other markets, for a worldwide total of $3,585,000 and a profit of $772,000.[2]
Critical reviews
[edit]Variety noted the overall enthusiastic reviews: “In nearly all keys [key cities] the pic has drawn enthusiastic crix [critics’] approval. This has helped considerably in smaller cities where reviews are followed faithfully.”.[8] However, Bosley Crowther, writing in The New York Times called it "[A] pretty chilly succession of echoing rooms", and commented that "for all of Mr. Holden's fine oration the ideal of stouter furniture and a happier furniture corporation doesn't cause the blood to run hot." Crowther does praise the "quality production and general quality acting of the film", and calls it "a fair endeavor" but notes that "dramatically, it doesn't add up."[9]
In January 1955 Fortune magazine published a four-page article, "The Executive as Hero", which praised the film, commenting that it "has set in motion the conflicts and collisions that give business its true drama."[1]
The film has received critical acclaim from modern day critics. Rotten Tomatoes gives a score of 100% based on 9 reviews, with an average score of 8/10.[10]
Awards and nominations
[edit]Award | Category | Nominee(s) | Result | Ref. |
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Academy Awards | Best Supporting Actress | Nina Foch | Nominated | [11] [12] |
Best Art Direction – Black-and-White | Art Direction: Cedric Gibbons and Edward Carfagno; Set Decoration: Edwin B. Willis and Emile Kuri |
Nominated | ||
Best Cinematography – Black-and-White | George Folsey | Nominated | ||
Best Costume Design – Black-and-White | Helen Rose | Nominated | ||
British Academy Film Awards | Best Film from any Source | Nominated | [13] | |
Best Foreign Actor | Fredric March | Nominated | ||
Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | Robert Wise | Nominated | [14] |
National Board of Review Awards | Top Ten Films | 5th Place | [15] | |
Best Supporting Actress | Nina Foch | Won | ||
Venice International Film Festival | Golden Lion | Robert Wise | Nominated | |
Grand Jury Prize | The Acting Ensemble | Won | ||
Writers Guild of America Awards | Best Written American Drama | Ernest Lehman | Nominated | [16] |
TV series
[edit]More than two decades after their release, the film and novel were adapted into a weekly television series with the same title. Airing on CBS in 1976–1977, the TV version changed the fictional corporate setting to the Cardway Corporation in Los Angeles. Mitchell Ryan starred as company chairman Dan Walling, with Sharon Acker as his wife Helen and Leigh McCloskey and Wendy Phillips as his children, Brian and Stacey. Other series regulars included Stephen Elliott, Byron Morrow, Madlyn Rhue, William Smithers, Paul Lambert, Richard Cox, Trisha Noble, Carl Weintraub, Maxine Stuart, and Ricardo Montalbán.
Scheduling opposite Monday Night Football on ABC, and then The Rockford Files on NBC, doomed the show to poor ratings, and it was canceled after one season.
References
[edit]- ^ a b c d e f g h Executive Suite at the AFI Catalog of Feature Films
- ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- ^ Variety film review; February 24, 1954, page 6.
- ^ Harrison's Reports film review; February 27, 1954, page 35.
- ^ "Executive Suite". AFI|Catalog.
- ^ "The Gabby Set". Variety. September 9, 1953. p. 5. Retrieved September 29, 2019 – via Archive.org.
- ^ "National Boxoffice Survey". Variety. June 2, 1954. p. 3 – via Archive.org.
- ^ a b "'Suite' Shapes as Tops Since 'Ivanhoe'". Variety. June 2, 1954. p. 4 – via Archive.org.
- ^ Crowther, Bosley (May 16, 1954) "Strictly Big Business: 'Executive Suite' Puts a Cool View of Directors on the Screen" The New York Times
- ^ "Executive Suite (1954)". Rotten Tomatoes. Fandango. Retrieved November 25, 2024.
- ^ "The 27th Academy Awards (1955) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved August 20, 2011.
- ^ "NY Times: Executive Suite". Movies & TV Dept. The New York Times. 2008. Archived from the original on 2008-12-12. Retrieved 2008-12-21.
- ^ "BAFTA Awards: Film in 1955". British Academy Film Awards. Retrieved September 16, 2016.
- ^ "7th Annual DGA Awards". Directors Guild of America Awards. Retrieved July 5, 2021.
- ^ "1954 Award Winners". National Board of Review. Retrieved July 5, 2021.
- ^ "Awards Winners". Writers Guild of America Awards. Archived from the original on December 5, 2012. Retrieved June 6, 2010.
External links
[edit]- 1954 films
- 1954 romantic drama films
- 1950s American films
- 1950s English-language films
- American business films
- American romantic drama films
- American black-and-white films
- English-language romantic drama films
- Films about businesspeople
- Films adapted into television shows
- Films based on American novels
- Films based on romance novels
- Films directed by Robert Wise
- Films with screenplays by Ernest Lehman
- Films set in New York City
- Films shot in Allentown, Pennsylvania
- Metro-Goldwyn-Mayer films
- Venice Grand Jury Prize winners
- American novels adapted into films